The Lurkers
The Lurkers were a late 1970s English punk rock group from Uxbridge, West London, notable for being the first group ever on Beggars Banquet Records.
Career:
The Lurkers formed late in 1976 and played their first gig at Uxbridge Technical College in the December supporting Screaming Lord Sutch to an audience of 10! The original line-up consisted of Pete Stride on Guitar, Pete "Manic Esso" Haynes on drums, Howard Wall on vocals and Nigel Moore on Bass. Despite not being the principal vocalist, Stride was the band's main songwriter. The band were one of the pioneering punk bands that played live in the first few months of the now-legendary Roxy Club in London. Nigel was swiftly replaced by Arturo Bassick. They supported The Jam in February 1977, Eater in March, and Slaughter & The Dogs in April.
The Lurkers recorded four sessions at Maida Vale 4 studio for John Peel at BBC Radio 1, on 18/10/1977, 18/04/1978, 25/07/1978, and 24/01/1979. Their debut single "Shadow", the first release on Beggars Banquet Records, was voted by John Peel's listeners as twelfth best track of the year in 1977's Festive Fifty. with "Love Story", the B-side, at number 31. Bassick left the band after this first single, and was replaced by former Saints member Kym Bradshaw, who left before the recording of the third single, 1978's "Ain't Got a Clue"/"Ooh, Ooh I Love You" which saw the return of Nigel Moore to the band. That single was their biggest hit, reaching No. 45 on the UK singles chart.
The following month, the band's debut album, Fulham Fallout, reached No. 57 on the UK albums chart. One reviewer described it as "by far their best with production that really makes the guitar kick. It's sloppy and amateurish, but that's what makes it so great." "Be My Prisoner", a song from the album, also appeared on Streets, a 1977 compilation album of early UK punk bands from a variety of independent record labels.
In January 1979, The Lurkers' fifth single, "Just Thirteen", was released, and in 2001 it was included in Mojo magazine's list of the best punk rock singles of all time. A month after the release of this single, The Lurkers' track "I'm on Heat" appeared, alongside songs by more famous bands like The Jam and The Stranglers, on the punk compilation 20 of Another Kind (Polydor, POLS 1006). The album reached number 45 in the UK charts. Another of the band's tracks, "Out in the Dark", appeared on the follow-up 20 of Another Kind Volume 2.
The band's second album was not as well received, critically or commercially, as their debut, and the band split for a few years. Pete Stride collaborated with 'Honest' John Plain (of English punk band the Boys) and released an album in January 1980. In 1982, Stride re-formed the Lurkers. They signed for Stoke-on-Trent-based label Clay Records, for whom they released four singles and one album. The band broke up again in 1984.
In the years since, they have reunited with various members numerous times, and continue to record and perform around the world to this day, although its really just Arturo and some of his mates. Their legacy, however, is primarily based on their late 1970s output. "Shadow", "Ain't Got a Clue", and "Just Thirteen" in particular are cited by punk cognoscenti as classic examples of the style, and still show up from time to time on genre overview compilations. The current line-up is: Bassick (bass and vocals) who also plays for 999, Steve Straughan (guitar), and Nelly (drums), ex Hangups and Fiend. In January 2009 the band supported punk legends the Buzzcocks on fourteen dates of their UK tour. Esso, Stride and Moore are jamming again under the name of God's Lonely Men and released a CD in 2012 entitled 'Chemical Landslide' which contained tracks considered a lot heavier than anything they had previously recorded under the Lurkers name.
Reviews:
'Bouncy pub-punk that owed far more to a band like Eddie and the Hot Rods than to The Clash'.,
'Unabashedly as indebted to The Ramones as the Pistols but boasting a mock-cockney swagger which was utterly unique'.,
'Relentless, uncompromising barrage of 100 mph raw punk rock, taking its lead from the Ramones but replacing the bubblegum factor with an aggressive edge more akin to Motörhead'.,
'No pretensions, no hype, no frills and were nothing less than pure rock'n'roll. This is a band who deserve so much more respect than they get'.,
'London's answer to the Ramones'.,
'When the band is at its best (notably in their singles "Ain't Got a Clue," "I Don't Need to Tell Her," and "Shadow..."), the album is an astonishing accomplishment, a blur of high octane riffs and unforgettable hooks tumbling over one another without a care for manners or niceties'.,
'The Lurkers were not loved by the Punk Rock cognoscenti - that didn't stop juvenile urchins like me latching on to their Ramones-esque brevity & celebrating for all it was worth. Their debut 7, Shadow (Beg 1) was one of the greatest Punk Rock sides in the relatively short history of the genre'.,
'Their records are very simple, basic, underproduced stuff that makes the Ramones sound like Queen. But they had a knack for really catchy, singalong choruses and they've got this amateurish charm that you just have to fall for eventually. I now rank these guys as among the greats'.
Career:
The Lurkers formed late in 1976 and played their first gig at Uxbridge Technical College in the December supporting Screaming Lord Sutch to an audience of 10! The original line-up consisted of Pete Stride on Guitar, Pete "Manic Esso" Haynes on drums, Howard Wall on vocals and Nigel Moore on Bass. Despite not being the principal vocalist, Stride was the band's main songwriter. The band were one of the pioneering punk bands that played live in the first few months of the now-legendary Roxy Club in London. Nigel was swiftly replaced by Arturo Bassick. They supported The Jam in February 1977, Eater in March, and Slaughter & The Dogs in April.
The Lurkers recorded four sessions at Maida Vale 4 studio for John Peel at BBC Radio 1, on 18/10/1977, 18/04/1978, 25/07/1978, and 24/01/1979. Their debut single "Shadow", the first release on Beggars Banquet Records, was voted by John Peel's listeners as twelfth best track of the year in 1977's Festive Fifty. with "Love Story", the B-side, at number 31. Bassick left the band after this first single, and was replaced by former Saints member Kym Bradshaw, who left before the recording of the third single, 1978's "Ain't Got a Clue"/"Ooh, Ooh I Love You" which saw the return of Nigel Moore to the band. That single was their biggest hit, reaching No. 45 on the UK singles chart.
The following month, the band's debut album, Fulham Fallout, reached No. 57 on the UK albums chart. One reviewer described it as "by far their best with production that really makes the guitar kick. It's sloppy and amateurish, but that's what makes it so great." "Be My Prisoner", a song from the album, also appeared on Streets, a 1977 compilation album of early UK punk bands from a variety of independent record labels.
In January 1979, The Lurkers' fifth single, "Just Thirteen", was released, and in 2001 it was included in Mojo magazine's list of the best punk rock singles of all time. A month after the release of this single, The Lurkers' track "I'm on Heat" appeared, alongside songs by more famous bands like The Jam and The Stranglers, on the punk compilation 20 of Another Kind (Polydor, POLS 1006). The album reached number 45 in the UK charts. Another of the band's tracks, "Out in the Dark", appeared on the follow-up 20 of Another Kind Volume 2.
The band's second album was not as well received, critically or commercially, as their debut, and the band split for a few years. Pete Stride collaborated with 'Honest' John Plain (of English punk band the Boys) and released an album in January 1980. In 1982, Stride re-formed the Lurkers. They signed for Stoke-on-Trent-based label Clay Records, for whom they released four singles and one album. The band broke up again in 1984.
In the years since, they have reunited with various members numerous times, and continue to record and perform around the world to this day, although its really just Arturo and some of his mates. Their legacy, however, is primarily based on their late 1970s output. "Shadow", "Ain't Got a Clue", and "Just Thirteen" in particular are cited by punk cognoscenti as classic examples of the style, and still show up from time to time on genre overview compilations. The current line-up is: Bassick (bass and vocals) who also plays for 999, Steve Straughan (guitar), and Nelly (drums), ex Hangups and Fiend. In January 2009 the band supported punk legends the Buzzcocks on fourteen dates of their UK tour. Esso, Stride and Moore are jamming again under the name of God's Lonely Men and released a CD in 2012 entitled 'Chemical Landslide' which contained tracks considered a lot heavier than anything they had previously recorded under the Lurkers name.
Reviews:
'Bouncy pub-punk that owed far more to a band like Eddie and the Hot Rods than to The Clash'.,
'Unabashedly as indebted to The Ramones as the Pistols but boasting a mock-cockney swagger which was utterly unique'.,
'Relentless, uncompromising barrage of 100 mph raw punk rock, taking its lead from the Ramones but replacing the bubblegum factor with an aggressive edge more akin to Motörhead'.,
'No pretensions, no hype, no frills and were nothing less than pure rock'n'roll. This is a band who deserve so much more respect than they get'.,
'London's answer to the Ramones'.,
'When the band is at its best (notably in their singles "Ain't Got a Clue," "I Don't Need to Tell Her," and "Shadow..."), the album is an astonishing accomplishment, a blur of high octane riffs and unforgettable hooks tumbling over one another without a care for manners or niceties'.,
'The Lurkers were not loved by the Punk Rock cognoscenti - that didn't stop juvenile urchins like me latching on to their Ramones-esque brevity & celebrating for all it was worth. Their debut 7, Shadow (Beg 1) was one of the greatest Punk Rock sides in the relatively short history of the genre'.,
'Their records are very simple, basic, underproduced stuff that makes the Ramones sound like Queen. But they had a knack for really catchy, singalong choruses and they've got this amateurish charm that you just have to fall for eventually. I now rank these guys as among the greats'.